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<XML><RECORDS>
<RECORD>
	<REFERENCE_TYPE>31</REFERENCE_TYPE>
	<AUTHORS>
		<AUTHOR>Giuseppe Baruffa</AUTHOR>
		<AUTHOR>Mauro Femminella</AUTHOR>
		<AUTHOR>Gianluca Reali</AUTHOR>
		<AUTHOR>Agnese Grasselli</AUTHOR>
		<AUTHOR>Alessandro Parisi</AUTHOR>
		<AUTHOR>Dario Di_Sorte</AUTHOR>
		<AUTHOR>Paolo Micanti</AUTHOR>
		<AUTHOR>Saverio Cacopardi</AUTHOR>
		<AUTHOR>Renzo Perfetti</AUTHOR>
		<AUTHOR>Laura Rosati</AUTHOR>
		<AUTHOR>Leonardo Alberti</AUTHOR>
		<AUTHOR>Federico Fiorucci</AUTHOR>
		<AUTHOR>Emilia Nunzi</AUTHOR>
		<AUTHOR>Alessandro Vergari</AUTHOR>
		<AUTHOR>Fabrizio Frescura</AUTHOR>
	</AUTHORS>
	<YEAR>2008</YEAR>
	<TITLE>D2.3 Enhanced encoding techniques for Film</TITLE>
	<KEYWORDS>
		<KEYWORD>MCTF,</KEYWORD>
		<KEYWORD>JPEG</KEYWORD>
		<KEYWORD>2000,</KEYWORD>
		<KEYWORD>H.264</KEYWORD>
		<KEYWORD>FRExt,</KEYWORD>
		<KEYWORD>SMPTE</KEYWORD>
		<KEYWORD>VC-1,</KEYWORD>
		<KEYWORD>MPEG-2</KEYWORD>
	</KEYWORDS>
	<ABSTRACT>This deliverable concerns the research on enhanced encoding techniques to be used for the compression of the video portion of Digital Cinema (DC) sequences, with a special attention paid to the inter-frame compression techniques. A huge bit rate reduction is required in order to convey high quality video over low-speed wired/wireless links to the final exhibition sites: this is a particular stringent requirement for live feeds.
Some specific characteristics of DC sequences have been considered, such as the dynamic range, the colour space format, the frame rate, and a comparison between existing codecs and novel compression techniques is made.
The deliverable is published at month 24, and no hardware prototypes are to be prepared; the software tools and simulation environments, as well as the simulation results, are described in the present document.</ABSTRACT>
	<URL>http://www.edcine.org/</URL>
</RECORD>
</RECORDS></XML>